Here are some of the most frequently asked questions about the Lydian Chromatic Concept. This page can be read either as one continuous article from . What is the best scale to play over a CMaj7? Most people would say the C Major Scale, but George Russell’s Lydian Chromatic Concept says otherwise. George Russell’s book, The Lydian Chromatic Concept of Tonal Organization, first published in, was the first theoretical contribution to come.
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The Lydian Chromatic Concept of Tonal Organization
George Russell’s book, The Lydian Chromatic Concept of Tonal Organizationfirst published inwas the first theoretical contribution to come from jazz, and was responsible for introducing modal improvisation which resulted in the seminal recording of Miles Davis’ “Kind of Russeell.
Since it’s publication, there have been scores of books on the market which have “borrowed” bits of the Concept’s information, but there is only one original. Radical as it may be, the theory is lydjan than one person’s eccentricity, having considerable precedent in the work of Ravel, Scriabin, Debussy and in some of the learned works of Bach.
The word “Lydian” is here derived from one of the classical Greek scale modes. Russell’s root scale follows the natural overtone series and runs from C to C with F sharp, rather than the customary F natural of the major scale.
For searchers like Miles and Coltrane and Bill Evans, and many in the generations that followed them, Russell’s theory provided a harmonic background and a path for further exploration.
It also gave rise to the “modal” jazz movement that enjoyed georgw popularity in the 70’s and 80’s for better and for worse. We should not underestimate the extent of Russell’s enterprise.
His work stands head-to-head with Arnold Schoenberg’s “liberation” of the twelve-tone scale, the polytonal work georgge Stravinsky, and the ethnic scale explorations of Bartok and Kodaly.
If you’ve listened to jazz during the last fifty years, you’ve heard a good deal of George Russell’s ideas; he is one of the 20th century’s great originals and one of its bravest innovators.
Lydian Chromatic Concept of Tonal Organization – Wikipedia
Having finished this work, Russell is completing another volume on related elements which he has been simultaneously developing over the last several decades. The Lydian Chromatic Concept of Tonal Organization was expanded several times over the years, and has grown greatly since its first appearance in It is with pride and pleasure that we present this fourth and final edition. If you could sit down and write stuff like that out He wrote stuff like that and it was incredible.
George Russell who at the time was working fussell his Here was a means for breaking free from tonal cliches while maintaining some amount of restraint. Miles took his musicians into the studio for the first of two sessions for Kind of Blue in March, At the time modal jazz Originally, the idea for this kind of playing with the concept of composer George Russell.
A must for the serious musician. Milestones, which was based on two modes He recorded Gorge with Coltrane on April 3,and both men felt liberated by the new harmonic philosophy.
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